Greenwich Village Gazette

Also See Arlene's Review of Another Country

The Ted Haggard Monologues

One would expect a brief play about Ted Haggard, the evangelical preacher who was caught messing around with male prostitutes to be hilarious, nasty fun, and Michael Yates Crowley’s Ted Haggard Monologues certainly is, but it’s also more. Crowley plays a variety of characters, from Haggard himself to his put upon, soft-spoken, bitterly pious wife to his sons to one of his son’s Sexually frustrated fiancée (pronounced "fiancé" by the somewhat miseducated Haggard boys) to Rick, the prostitute Haggard used and abandoned.

Crowley not only manages to capture the characters in all their overheated delusions -- the affianced son imagines his God as one with sinners stuck in His teeth and His eyes pouring wrathful fire, and Haggard swears his association with homosexuals was a show of Extreme Mercy towards them-- but he also infuses the performances with an unlooked for empathy and compassion. He manages to do this even as he allows his New York audience to laugh at his characters.

There really are folks like that "out there," the play reminds us, and one should take them seriously for no other reason that they might help elect the next President -- they certainly helped elect the last one. And the question of God’s engagement with humanity, of the urge both to give in to one’s nastier impulses or practice restraint, whether imposed by yourself or your society, is perennial in all cultures.

Crowley is joined onstage by a chorus made up of Christina Aranda, Betsey Boutelle, Naomi Ekperigin, Andy Lindberg and Alkis Sarantinos. Dressed in costume designer Cody Upton’s church robes, they sing bits of Christian music between the monologues with heavenly sweetness.

The play also benefits from Michael Rau’s crisp direction, and Greg Malen’s sometimes subdued lighting design. It runs about an hour, without intermission. The reviewer suggests that you get there early -- as she didn’t -- or you might have to stand up in the aisles -- as she did -- to watch this captivating work. It’s presented by the

Collective: Unconscious, at 279 Church Street.


 

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