Youth Without Youth
Sony Classics, 124mins, R

Written and Directed by

Francis Ford Coppola

Youth Without YouthAfter seeing this film, I started to think about a TV show called “Heroes.” It seems to me that the notorious “X-men” rip-off on and that this was just another episode. Granted, it was much better made than the series, after all, it was made by the guy who made some of the best films ever made. But that's magic realism for you.

It's 1938: Dominic Matei (Tim Roth) is an old Romanian linguistics professor who has lost the will to go on. His life's work, finding the first language, has been going nowhere, and he's decided to quit it all, and move to another town where he can get on with it in new surroundings. Then, soon after he gets there, he gets hit by lighting. Standard superhero stuff, to be sure, and of course, he gets superpowers.

 

But first he has to recover from the blow. Under the care of Professor Stanciulescu (Bruno Ganz), our hero first is in a coma, but soon is able to hear and has replaced his grey hair with brown and is growing a new set of teeth. Within six weeks, he's literally a new man. This being 1938, the Nazis become interested. So they send a secret agent(Alexandra Pirici), to find out what the deal is, for her boss, the evil Dr. Josef Rudolf (André M. Hennicke) wants to use whatever it is turned Dominic into an übermensch, to create a Nazi master race. But this is an R-rated film for grownups, and instead of donning a costume and fighting crime, he flees to Switzerland, better to hone his superhuman powers and abilities without the Nazis screwing things up.

When the war is over [the passage of time is actually rather well done], Dominic meets the beauteous Veronica (Alexandra Maria Lara), who may be a reincarnation of Laura(also Ms. Lara) his lost fiancée from the 19th century. She may be a reincarnation of her, but she's also a reincarnation of several others, each of whom speaks long dead languages, permitting further research into the origin of language, something Dominic's extra-dimensional doppelganger, who's been steering him in the right direction for years, is enthusiastic about. But there are complications. It's just like an episode of “Heroes!”

 

The film is actually pretty good, not great, but good. This is after all, Francis Ford Friggin' Coppola here, making his first film under his name on it since before the turn of the century. This is the guy who made some of the greatest films of all time. Which makes this thing so disappointing. After a wait of seven years [he was supposed to have co-directed 2000's “Supernova”] I guess we were waiting for something that would blow us away. It did not. This doesn't mean that had someone else had put their name on it, it would suck, not by any means, as was said before, this is an excellent episode of “Heroes” or some such comic book extravaganza. It's also reminiscent of Woody Allen's “Zelig” or Jurgen Olczyk's “Perfume” although, it's better than the latter by far. As comic book movies go, this is one of the better ones.

But still, if you are waiting for the Next “Godfather” [no, not IV, dammit!], you'll have to wait a little longer.


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