The Orpanage
Directed by
Juan Antonio Bayona

Fairy Tales have a dark side. I remember my mother reading my brothers and from brothers Grimm, and remarking, “What IS this?” and put the book away forever. About ten years ago, apparently, Sergio G. Sanchez was thinking about the fairy tale known as Peter Pan, and came up with one hell of a ghost story.

Laur (Belen Rueda) lived in an orphanage for a while before being adopted. The experience was one she never forgot and when we meet her for the second time, she's returning as an adult with her
husband Carlos (Fernando Cayo) and their young son, Simon (Roger Princep). Laura and Carlos are going to refurbish the place and turn it into a center for disabled youngsters. Simon isn't actually disabled himself, not physically at least, but he's got an obsession with an imaginary friend, which is something ordinary for a kid his age. What isn't is that soon he's got a whole bunch of them and they can do things outside his brain. Then one day a very creepy social worker (Montserrat Carulla) shows up inquiring about Simon and who his real parents were, something our protagonists have been keeping a secret from their son. The lady informs the kid and bad things start to happen.

 

Simon attacks Laura during a party and disappears. Much of the film deals with the search, the identity of the Social Worker and the paranormal happenings that are taking place, which leads to a confrontation between a police psychologist (Mabel Ribera) and a medium named Aurora (Geraldine Chaplin), who claims to have discovered a gaggle of ghosts and a covered up murder many years before. There is very little blood, but the scare factor is high.

Ghost stories are very hard to do without falling into camp. The pacing has to be just right and the scares can't be too farcical.

Despite his inexperience (this is his first feature) Juan Bayona had a deft hand in depicting the psychic pain that Carlos and Laura feel and her subsequent breakdown. There is a minimum of special effects and those that are used are put to maximum effect. This is one of the best horror flicks of the year and is excellent counter-programming for the big Holiday blockbusters.

 


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