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Copying Beethoven

Director:
Agnieszka Holland

Cast:
Diane Kruger, Ed Harris, Joe Anderson (III), Matthew Goode, Phyllida Law

Rating: (1 to 5 stars)

MPAA Rating: Not Rated

Synopsis: An aspiring composer of humble means, 23-year-old Anna Holtz is seeking inspiration and career advancement in the world's music capital, Vienna. A student at the music conservatory, she is recommended for a position at a venerated publisher, and, in a fortuitous turn of events, orchestrates an opportunity to work beside the greatest, most mercurial artist alive - Ludwig van Beethoven. When the skeptical Beethoven issues an impromptu challenge, Anna demonstrates her competence and musical insight. The maestro accepts Anna as his copyist, beginning a remarkable relationship that will transform both of their lives.
Review:

There's a famous moment in the history of music: at the end of the premier of his ninth symphony, the great composer Ludwig van Beethoven, who was completely deaf by then, cannot hear the audience going wild behind him. A woman comes out of nowhere and turns him around to see the thunderous applause. This immortal anecdote brings to mind questions, the foremost of which was: Who was she?

Well, since after 180 years, there's no way to find out, screenwriters Stephen J. Rivele) & Christopher Wilkinson, who wrote the script for Oliver Stone's ahistorical masterpiece “Nixon” have decided to create her…giving her credit for all sorts of other things, of course.

Anna Holtz (Diane Kruger) a young music student, has arrived in Vienna on a special mission, the famous impresario Wenzel Schlemmer (Ralph Riach) is in desperate need of a copyist to transcribe the various parts of the great Beethoven's (Ed Harris) in time for the work's premier in four days.

This being the 1820s, the fact that Anna is a girl, at first, scandalizes both Schlemmer and Beethoven, but her competence and the simple fact that time is of the essence wins them over. We've now got a platonic romance going on in what might be described light comedy.

While there are the usual comedic plot twists, like the conflict between Beethoven and Anna's boyfriend Martin(Matthew Goode), the appearance of the great man's nephew Karl(Joe Anderson), and the conflict with the downstairs neighbor, this film has got more than that. It's got Ed Harris chewing the scenery with a joy that is quite infectious. His Beethoven is reminiscent of a character from Christopher Guest's mockumenteries, a cartoonish buffoon who, none the less, is capable of greatness.

The whole thing is sitcom, but that isn't necessarily a bad thing. The premier of the great Ninth symphony is a hoot, really great television that works as a movie. It's lots of fun, with great performances all around. But this is Ed Harris' shining moment, going back and forth between the silly old codger and the genius philosopher and back again. His explanation of why he is the way his is quite believable.

This is one of the big ones for the fall. See it.

Eric Lurio

 

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