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A CAUTIONARY TALE OF GENTRIFICATION


Photo credit: Gary Stenger "Community Walk for the Mission"

By Donna Lamb

t this period of general economic hardship, as our government continues working overtime to convince us that Saddam Hussein poses an immediate threat to our national security, there is another very actual "clear and present danger" that stalks many an inner city neighborhood: Gentrification. That war is raging in Harlem, Bedford Stuyvesant and the South Bronx to name just a few of the areas most under siege right here in New York City.

That is why I recommend "Boom: The Sound of Eviction," playing at the Anthology Film Archives in Manhattan from December 13th through the 19th. Produced by Whispered Media and directed by Francine Cavanaugh, A. Mark Liiv, and Adams Wood, this documentary provides an extremely useful glimpse into what happened to the residents of San Francisco's Bay Area, particularly in the Mission District, when, in the 1990s, gentrification hit like a ton of bricks.

As the documentary lays out, when the dot-com madness began, of the $20 billion in venture capital that was spent worldwide in just one year, $7.5 billion went to enterprises in the Bay Area. The result was that instead of reaping the benefits when their neighborhoods improved, the people who had stuck with their communities through the worst of times were suddenly tossed out on their ears.

The impact on the Mission District was enormous. Historically a place where immigrants came for low-cost housing, it had been a longtime Latino working class neighborhood as well as home to many artists. A dance company that had been there through thick and thin had its rent raised from $3,000 a month to $15,000. Families who were the very soul of the Mission District were being displaced by single individuals with no children and no commitment whatsoever to the community. In fact, the newcomers lodged complaints about the very things that gave charm and character to the Mission District - kids playing on the sidewalks, people hanging out on stoops, lively music, and more.

As the film makes clear, immigrants and other low-income families - many just one paycheck away from homelessness to start with - as well as the aging, are always the ones hurt most by gentrification. As yuppies by the hundreds and thousands poured into new pricey live/work lofts, there were 15,000 "legal evictions" in San Francisco alone. When you consider the fact that most of these evictions were of large families, it's mind boggling to think of how many men, women and children lost their homes--and that isn't even counting all those in surrounding areas that were hard-hit as well.

In Oakland, for instance, they didn't have laws protecting renters from "No-cause Evictions" so people were given 30 days notice and tossed out of their homes right and left. "Boom" follows the heartbreaking story of Cathy Acosta who was thrown out with her children so the homeowner could rent out the space at a much more exorbitant rate. We see Ms. Acosta unable to go into a woman's shelter because 2 of her sons are above the age limit for male children. Her whole family had to perch in the living room of a friend. All the while she searches diligently for a new affordable home. Finally, she gives up altogether and moves to Phoenix, Arizona.

We also learn the fate of many older people. As statistics show, when they lose their homes and are forced into nursing homes or other situations they don't want, they simply expire within a year or even six months. Witness Lola McKay: born 1917, died 2000.

Regrettably, one of the things we see too is San Francisco's Black Mayor, Willie Brown, looking for all the world as though he's been bought out by the real estate interests. He seems to care not a fig about the Mission District's displaced populace. For example, when 500 concerned residents turn out for a Planning Commission meeting in order to object to the displacements, he sloughs it off, saying these people are "not representative of the district." And he glosses over the evictions as voluntary moves. According to him, all the people received enough money to relocate quite happily and well.

But "Boom" shows us what really happened to many of these people. They had no alternative but to move to such places as highway underpasses where they set up tents or "cardboard condos" next to their shopping carts filled with their meager possessions, all they have left of their once cherished homes. One man, who lives in his car, states that he works over 55 hours a week at $10 an hour and still can't afford a home.

The film also documents the coming together of the neighborhood with the formation of the Mission Anti-Displacement Coalition and other community organizations, people taking part in electoral politics and direct action. We follow one family's successful struggle to keep their home as they mobilize the entire community on their behalf.

Over the 5-year period "Boom" covers, the economic bubble bursts, and 80% of the dot-coms go bust. The cost of housing, however, is yet to return to anything near its former level. But the film is a valuable tool for seeing what works and what doesn't as people fight to save their community from gentrification. It can help one become more prepared, if need be, to defend one's own.

"Boom: The Sound of Eviction" will be showing December 13th through the 19th at 7:30 and 9:30 daily with an additional 5 pm show Saturday and Sunday. The Anthology Film Archives is located at 32 Second Avenue at 2nd Street in Manhattan. Take the F train to Second Avenue or the #6 to the Bleecker Street stop. For more information visit www.anthologyfilmarchives.org or call (212) 505-5181.

For more information, please contact Donna Lamb at dlamb@gis.net.

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Recorded by
The Backhouse
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1988
at
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