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GAZETTE STAFF / NEW  YORK CITY

MUSICAL REVIEW:
BLUES ON THE PARK

article and photos by Ernest Barteldes

Blind Lemon Blues
musical by Alan Governar and Akin Babatunde
Central Park Summerstage
July 16, 2004
http://www.summerstage.org

his new musical chronicles, with a deep sense of humor, the life and times of pioneer bluesman Blind Lemon Jefferson from his humble beginning in the streets of Dallas, Texas (where he performed with a tin cup tied to his neck) to his death years later in Chicago.

With the help of Huddie Ledbetter (Cavin Yarbrough) and an ensemble cast, the blind artist (playwright and director Akin Babatunde) lays down his pain, his blindness and the issues of his times through his immortal music.

The play opens in 1948 New York City at Leadbelly's final recording session. As he plays the music, he tells stories about his life, and alongside him, Blind Lemon and the cast narrate the hard life of the black man in segregated southern cities back in the day.

In a hilarious moment, Leadbelly tells us why he played a 12-string guitar. As the story goes, he was playing somewhere when string after string broke, leaving him unable to play, until someone handed him a 12-string instrument which was later to become his axe of choice.

The play follows no chronological order. From the post-war days we go back to Texas in the 20s, where Blind Lemon Jefferson is playing in the streets for spare change.

He is discovered by a Paramount Records scout (the label then specialized on "race" records), and after being refused at the local studios, he is taken to Chicago, where between 1926 and 1929 he would cut numerous records and ultimately become the biggest-selling blues musician of his time.

From then on, it's performing from town to town, and drinking hard. The cast talks about the troubles of the black man (Equality For Negroes, a traditional tune, is included on the second act), their poverty and other issues.

Leadbelly also tells us of how he went to jail and got pardoned by Governor Neff after writing a song for him.

One of the most impressive members of the cast is Alisa Peoples Yarbrough (she plays various characters), who is the wife and Grammy-nominated music partner of Cavin Yarbrough. During certain points in the play, she sits at the piano and performs beautifully, and with the backing of guitar man Sam Swank (who played a six-string Martin from backstage), creates some of the most fantastic musical moments of the evening.

The most poignant part is when, to the tune of See That My Grave is Kept Clean, Blind Lemon wanders aimlessly through the stage as the cast describes how, in a winter Chicago night, he went out and (at least from the play's point of view) died in the streets of The Windy City.

Blind Lemon Blues, which had its world premiere at the ForuMeyin in Geneva, was a fantastic musical and educational experience, and here's hoping we have a chance to see it again soon.

Ernest Barteldes is an ESL teacher and a freelance writer. He lived in Brazil for many years, where he earned a Bachelor's degree in English and Portugese from Ceará State University in Fortaleza, Brazil. He has been a columnist with the Gazette since September 1999. His work has also been featured on The Staten Island Advance, The Asbury Park Press, Gaytoday, The Villager, The New York Press and others in the U.S. and abroad. He lives in Staten Island, NY. email: ebarteldes@yahoo.com.

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Recorded by
The Backhouse
Bluesers®

1988
at
Coyote Studios
Brooklyn NY